6th Limb · Antaraṅga

The Single Point — where the mind is held, not forced.

Dhāraṇā · dhāraṇā

Root: √dhṛ — “to hold, to bear, to sustain” — one-pointed concentration. One-line: the single point.

deśa-bandhaś cittasya dhāraṇā
“Dhāraṇā is the binding of the mind to a single place.”
Yoga Sūtras III.1

What is Dhāraṇā

The sixth limb — working with the mind directly

The first of the three antaraṅga — inner — limbs, and the point where the practice stops working with body, breath, or senses and starts working directly with citta, the mind itself. The definition is almost deceptively simple: bind attention to one place.

What the sūtra doesn't say, but every practitioner discovers immediately, is that the binding is never permanent on the first try — attention drifts, is noticed, and is brought back. That return, repeated without frustration, is the practice of dhāraṇā, not a failure to achieve it.

In the Ashtanga Tradition

Tristhāna — three places of attention

Tristhāna — the three places of attention: breath, bandha, dṛṣṭi — function as a built-in, moving dhāraṇā throughout an Ashtanga practice. The mind is never left without somewhere specific to rest. The memorised, self-paced structure of the Mysore method — no verbal cueing, no external pacing — adds another layer: the practitioner has to choose, continuously, where attention goes, which is itself sustained training in one-pointedness.

Practising It

Pick one anchor

Pick one anchor — a breath count, a specific dṛṣṭi point, the felt line of the spine — and keep returning attention to it, on the mat and off. Treat the wandering itself as unremarkable and expected, not as evidence the practice isn't working; the returning is the entire technique.

Saṃyama · the three held together

One deepening process, viewed at three depths

Dhāraṇā, Dhyāna and Samādhi are not three separate techniques but one continuous operation — attention bound, attention flowing without break, and the gap between subject and object dissolving entirely. Patañjali names the three together saṃyama the moment he has defined them, and relies on it constantly thereafter. It is why he calls these three the antaraṅga — the more internal limbs: unlike the five before them, none touch conduct, body, breath, or the senses. All three work directly, and only, with citta, the mind.

YS III.4trayam ekatra saṃyamaḥ — “the three, applied together to one object, are saṃyama.”
YS III.5tajjayāt prajñālokaḥ — “from mastery of this, the light of higher insight dawns.”
YS III.6tasya bhūmiṣu viniyogaḥ — “its application proceeds by stages.”